Paul Felix Layout Notes

The great Disney artist Paul Felix wrote some great notes on perspective and layout years ago. They are full of great information and very clearly written. If you've never seen them before, check them out - even if you're not particularly interested in layout they're full of useful knowledge about drawing.

Links to them at the "Unofficial Paul Felix Blog":
Part One
Part Two
Part Three
Part Four

Or all in one spot at Dan Caylor's "On Animation":
Paul Felix notes

Works of Fiction

The Ed Wood Jr Players Card Set
Artwork by Drew Friedman
Published by Kitchen Sink ~ 1993

AC Film Festival: Len Lye

"Tusalava," 1929

"A Colour Box," 1935

"Kaleidoscope," 1935

"Swinging the Lambeth Walk," 1940

"Colour Cry," 1953

"Free Radicals," 1958

"Particles in Space," 1966

More on Lye. His influence is, of course, all over McLaren's work as well as over that of Stan Brakhage, and many others who experimented with direct animation, painting on or scratching directly into film stock.
This week on Comic Tools: Oblique Nib Holders
James Gurney did most of my work for me this week posting about oblique nib holders. (He says pen holder, I say nib holder.) It's the tool to use if you want to draw lots of slanty lettering without ruining your hands. He even carved his own out of wood so it's fit his hand better:

It turns out, a company named Yoropen makes oblique ballpoint pens and pencils:

According to testimonials on the site, oblique pens and pencils have distinct advantages for many people. In the case of left-handed people, they allow the writer to see their work, and to not have to hook their hand over awkwardly as they write. They're said to promote a more correct grip in small children learning to write, and aid in letter formation. Their ease in grip is also said to be helpful to people with weakness in their hands, such as stroke victims, and people who suffer from writing strain. I'd like to get ahold of one sometime to try it out. I'd also be curious if an oblique nib holder helped left-handed cartoonists ink better. Anyone out there tried it?

They also make oblique nibs (also called elbow nibs) that fit in a regular nib holder. They look like this:

And now for some extras:

One of my favorite things on the internet is Vera Brosgol and Emily Carroll's series of drawings called Fashion From Old People. This blog is a fantastic resource to see how to really dress characters in clothing. They take a real dress from a photo, and then fit that dress to a cartoon character. I save every other drawing to my morgue (That's an old-fashioned illustrator's term for an illustrator's personal catalogue of reference and inspirational images) because I have trouble drawing overly generic clothing on characters, and seeing the different body shapes and types Vera and Emily fit the dresses to, and how the woman and the dress change one another, is always an inspiration to me.

Another one of my favorite things on the internet is when cartoonists post video of themselves working. Well, here's two great tastes that go great together: Vera drawing one of her FFOP posts. There's a LOT of great process stuff here, especially for people who draw all or partially digitally.

How ballsy is Schweizer's inking in this panel:
See you next week!
Topps ~ 1962
Art by Norman Saunders & Bob Powell